![]() The free tier gives you access to free sounds, but you'll have to pay for premium sample packs.įL Cloud also includes an AI mastering tool. If you pay for a subscription, you have unlimited access to all of these, including the new packs released every month - no worrying about credits or monthly caps like you might find on Splice. For one it puts all of Image Line's samples and sound packs directly in your DAW and will tempo sync and time stretch them to match your project. There is a free tier, but its most exciting features are locked behind a subscription service, though, one that delivers a solid value. ![]() The other major addition is one that might prove a little controversial, FL Cloud. Though, I dream of the day when the technology is advanced enough for me to single out things like guitars or strings. In general the stem separator fared best with drums and vocals. (By the way, reduced to just drums, bass and vocals, it still hits hard.) The bass and vocals came out perfectly, though. While there was definitely some digital artifacts in the drums on "Freedom" they'd have been barely noticeable in a full mix. The Escorts' "All We Need Is Another Chance" and Beyonce's "Freedom" fared better. The bass was isolated, but sounded thin and distant, while the "instruments" (two guitars and a synth) had a regular click in it that seemed like it might have been bleeding through from the hi-hats. ![]() When I pulled in a mix of an instrumental track I was working on it snagged the drums perfectly. It's also limited to drums, bass, vocals and "instruments" which covered literally everything else. The quality and busyness of the mix made a huge difference in how effectively it was able to pull out individual tracks, but that's no surprise. FL Studio handled the handful of tests I tossed at it pretty admirably.
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